Ask Jason

Jason bobble head

Each week, Jason Love will answer your questions about the Columbia Orchestra, music, or whatever you want to know!

Just submit your questions by email at askjason@columbiaorchestra.org and he'll respond each week. Do you have a question for a performer of a certain instrument in the orchestra? Ask those at the same email address, too!

May 31, 2020

Ask Jason Number 5

Tyler asks... Do antique stringed instruments truly sound better than modern ones and which do members of the orchestra play?

Click here to read Jason's response or watch the video below.
Click the rectangle in the bottom right after starting if you'd like to view in fullscreen mode.

May 24, 2020

Ask Jason Number 4

Rick Dellinger, Columbia Orchestra Horn Player, asks which kind of the four types of tuba Jason prefers for Columbia Orchestra performances. Tom Holtz, Columbia Orchestra Principal Tuba, guest stars!

Click here to read Tom Holtz's response or watch the video below.
Click the rectangle in the bottom right after starting if you'd like to view in fullscreen mode.

May 17, 2020

Ask Jason Number 3

Karen asks…“Did a particular conductor inspire you to pursue conducting? At what point in your pursuit of studying music did you decide to conduct?”

Click here to read Jason's response or watch the video below.
Click the rectangle in the bottom right after starting if you'd like to view in fullscreen mode.

May 10, 2020

Ask Jason Number 2

Anne asks…“Do you practice conducting in front of a mirror with a metronome?”

Click here to read Jason's response or watch the video below.
Click the rectangle in the bottom right after starting if you'd like to view in fullscreen mode.

May 3, 2020

Ask Jason Number 1!

Shawn asks…“I'm curious as to what goes into deciding how to interpret a piece. Is there a lot of listening to different performances and conductors from the past? Do you just sit with the score by itself? Is it iterative, allowing shifts in expressive decisions as the orchestra practices it and things come up? Is it different when working with pieces that are more or less familiar or personally appealing?”

Click here to read Jason's response or watch the video below.
Click the rectangle in the bottom right after starting if you'd like to view in fullscreen mode.

Support the Columbia Orchestra

Help support Your Community's Music by making an online donation now.