The New York Times praised Maeve Höglund as “a striking soprano,” and Opera News quoted her having “a wealth of dynamic control and formidable florid technique.” Other past engagements included starring roles in Gotham Chamber Opera’s production, Baden-Baden 1927, featuring works by Weill, Hindemith, Toch, and Milhaud; as well as Atilia in Cavalli’s Eliogabalo. Dafne in Apollo e Dafne with Pocket Opera; Rose in The Clever Mistress and Lucrezia in My Last Duchess, both with Cutting Edge Opera. She was soprano soloist in Mozart’s Requiem with the American Classical Orchestra and toured London with Wynton Marsalis, performing his Mass with the Jazz at Lincoln Center Orchestra.